One of the earliest, and still one of the most perceptive analyses of Katherine Anne Porter, it gives careful interpretation of the style and intent of PorterÆs work from 1935 through the publication and critical reception of Ship of Fools.
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Its directness and its excellent interpretations make it a worthy study.
Mr. Mooney has made an admirable beginning for the kind of serious and careful examination that the author of Pale Horse, Pale Rider, Flowering Judas, and The Leaning Tower so richly deserves.