Illuminations: Cultural Formations of the Americas

The First Book that Considers Roberto Bolaño’s Writing in the Context of Queer Theory

Defiant Geographies examines the destruction of a poor community in the center of Rio de Janeiro to make way for Brazil’s first international mega-event. As the country celebrated the centenary of its independence, its postabolition whitening ideology took on material form in the urban development project that staged Latin ...

Latin American Journalists Who Endure Grave Danger to Witness and Report Their Truth

An Analysis of Activist Videos from Southern Mexico

Challenges to the Current Cultural Histories of the Neoliberal Period in Mexico and Brazil

New and Collected Essays on the Idea of Latin America by John Beverley

An Ethnography of the Underground Print Book in Latin America

The Development of Latin American Literary Journalism and the Emergence of an Original Literature

The interrelations between capitalism and political violence in late 20th century Argentina.

A study of the intermittences of the processes of transitional justice and memory in post-dictatorship Uruguay.

The emergence of Latin Americanism as a field of critical debate and inquiry.

Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America.

The first full-length study to treat both parts of Inca Garcilaso de la Vega’s foundational text Royal Commentaries of the Incas as a seminal work of political thought in the formation of the early Americas and the early-modern period. It is also among a handful of studies to explore ...

From the late 1940s to the early 1960s, Puerto Rico was swept by a wave of modernization, transforming the island from a predominantly rural society to an unquestionably urban one. A curious paradox ensued, however. The newly installed government, certain academic circles, and radio and television media, constructed, promoted, and sponsored a narrative of Puerto Rican culture based on rural subjects, practices, and spaces.Concrete and Countryside shows how the arts used a battery of images of the urban and the rural to understand, negotiate, and critique the innumerable changes taking place on the island.

Coronado examines photography to further the argument that intellectuals grafted their own notions of indigeneity onto their subjects. He looks specifically at the Cuzco School of Photography (active in the southern Andes) through whose work Coronado argues for photography, in its capacity as a visual and technological practice, as a powerful tool for understanding and shaping what modernity meant in the region.