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With Kellman writing on Stavans we encounter the spirit of the pícaro—and squared. Think: Cantinflas, Quixote, Candide, Tristram Shandy, Zelig playfully disrupting normative patterns of thinking as they dance across the ever-moving time and space of a funhouse mirror. Kellman’s rigorous scholarship and mischievous pen sidestep hagiography to bring out the best of Stavans: his playfully slippery creative and intellectual poetics that poke, tease, and interrogate in ways that force us to rethink our own understanding of canons, language, culture, borders, belonging, history—even today’s hanging-by-a-thread democracy.