Fisher places the work of George Eliot within the great evolution that constitutes the nineteenth-century English novel. He reports not only about her work, but about an evolving complex literary form.
By analyzing Paradise Regained and Samson Agonistes, Ashraf H. A. Rushdy redefines Milton’s creative spirit in a way that encompasses his poetic, political, and religious careers.
A challenging reappraisal of Keats’ work, showing the distinct influence of six years of medical training in his writings.
In a dramatically original analysis, Jackie DiSalvo explores Blake’s reworking of Genesis and Paradise Lost in his prophetic poem The Four Zoas, creating a compelling new reading of both Milton and Blake. With informed argument and provocative insights, DiSalvo shows how Blake’s view of history prefigures the revaluation of our own myths of origin prompted by new political, psychological, and feminist perspectives.
White examines key passages in James Joyce’s novels both as a philosopher and as literary critic. He develops a thesis that Joyce’s attempt to capture the mysterious process whereby perception and consciousness are translated into language entails a fundamental challenge to everyday notions of reality.
Scholars of James Joyce offer critical analysis of his work Ulysses. Five essays interpret the character of the novel; four deal with the literary style of presentation, the last focuses on the problems of translation.
This first full-scale treatment of the early prose of Dylan Thomas demonstrates the unity of his total work. Pratt argues that the inward journey of the poetic imagination which is implicit in poetry is often explicit in prose. Her study of Thomas’ early prose alongside his early poetry helps to elucidate all of his writing.
In this work, the reader experiences the life of Samuel Pepys and his freinds, great and small, in seventeenth-century London. We see great men of war, business and letters, enhanced by Percival Hunt’s comprehensive bibliography.