Echo’s Chambers

Clarke . . . makes the case for acoustics as an architectural component that is both mystical and scientific.

In this outstanding work, Joseph L. Clarke has built a very nuanced history that will change the way we understand the cultural production of modern architecture. He offers us a history of acoustics not simply as a science of sound but as a social phenomenon in which audiences of performances and audiences of the built environment began to hear their world differently, and in turn were encountering spaces that taught them how to hear and see differently. Echo's Chambers shows how deeply intertwined sound and architecture have been and, therefore, makes a major contribution to both architectural history and sound studies as mutually inclusive fields of study.

Echo's Chambers is an important work of intellectual and architectural history that charts the history of the engagement of architects with the emerging science of acoustics from the Enlightenment to the mid-twentieth century. Joseph L. Clarke has grounded his work in four linguistic cultures, consulting an impressive range of rare source materials in French, Italian, and German. The result is a highly original book that will appeal to diverse audiences at the intersection of architecture, sound, and space.

Discerning the developmental span from acoustic to electroacoustic space, Echo’s Chambers will become an influential reference work in the history of architecture and the adjacent fields of STS, sound studies, and the history of technology.