The threats beneath attractive surfaces and the uncertain security of the outwardly contented are topics rarely treated in poems as healthy as Meinke's; his voice is knowledgeable and reassuring.
Peter Meinke was a master of traditional poetic forms long before the current interest in “the new formalism.” His work is, in turn, witty, comic, sane, deeply moving, and always readable. Liquid Paper collects the best of his previously published poems from the late 1960s on with a generous selection of new work.
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Meinke is a skilled craftsman. He is especially adept at building to a strong ending or the ending that shies the poem into an unexpected, but perfect place. He also has the most endearing sense of humopr, the ability to laugh at himself.
Like Whitman, who claimed that the smallest sprout of grass 'Shows there is really no death,' Meinke is at heart a celebrator of a vital and joyous existence.
If you are one of the millions who is bored, perplexed or overawed by contemporary poetry, do the muse, and yourself, a favor: Buy and read Peter Meinke's new book.
Peter Meinke was a master of traditional poetic forms long before the current interest in 'the new formalism.' His work is, in turn, witty, comic, sane, deeply moving, and always readable.
Peter Meinke is emeritus professor of creative writing at Eckerd College. He has published numerous books of poetry, including Scars, Zinc Fingers, Liquid Paper, and The Contracted World: New & More Selected Poems. Meinke is the recipient of many awards, including the Olivet Prize, the Paumanok Award, three Poetry Society of America Awards, the Flannery OĆConnor Award, and two NEA Fellowships. In 2009 he was appointed the first Poet Laureate of St. Petersburg, Florida.