In every poem, she keeps her fury contained, but omnipresent, so that it resembles a cornered dog's warning growl, yet she hints of happier possibilities.
Winner of the 1994 Agnes Lynch Starrett Poetry Prize Winner of the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust “In every poem, she keeps her fury contained, but omnipresent, so that it resembles a cornered dog’s warning growl, yet she hints of happier possibilities.”—Booklist
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Raw, energetic, gritty, risky, sexy, and real. . . . The power of these short narratives is often cumulative, building a vision of the world seen through the eyes of a wanderer, a woman, a waitress.
I would shout from my back porch 'Read these poems!' (if I knew you would listen); they are funny and smart, lush and tough-minded, wacky in that particular American wackiness, graceful, burning, alive.
Her poems speak to us head-on, with courage and a contemporaneous eloquence.
Beatty does offer deeply visceral and sensory work, especially in the second and third sections of this three-part book . . . she risks relative boldness and deep emotional commitment, disregarding political correctness in respect for this less readily sanitized realm of experience.
Jan Beatty is professor of English and director of creative writing at Carlow University, director of the Madwomen in the Attic writing workshops, and distinguished writer in residence of the Carlow University MFA program. Her fifth book, Jackknife: New and Selected Poems, won the 2018 Paterson Prize, and her memoir, American Bastard, won the 2019 Red Hen Nonfiction Award.