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In Wojahn's fifth collection of verse—the first since the death of his wife, the poet Lynda Hull—loss and language seem both more at odds and more inseparable than ever. Here grieving is countered with long lines, loquaciousness, and the polyphonic buzz of culture; the holes in the poet's life are filled with smart, terrifying poems. Wojahn seems caught up in a maelstrom of his making, and the result is a stirring, anguished book, revealing of the poet's grief and emblematic of its cost.