University of Pittsburgh Press
Jackknife
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Jackknife

New and Selected Poems

By Jan Beatty
Beatty's lyric comes from the edge of a knife that continues to carve honest beauty from an America we learn only from gifted hands. The arc of this poet's brave heart moving through her life brings back to us the song of who we are. This is a fabulous collection.
Afaa M. Weaver
Winner, 2018 Paterson Poetry Prize
Paperback $22.00

Also available in Kindle, Nook

Request Exam or Desk Copy. Request Review Copy

In Jackknife: New and Selected Poems, Beatty travels the turns and collisions of over twenty years of work. She moves from first-person narratives to poems that straddle the page in fragments, to lines that sprawl with long lines of train tracks. Always landing in meaning, we are inside the body—not in a confessional voice, not autobiography—but arriving through the expanded, exploded image of many stories and genders. The new poems leap imagistically from the known world to the purely imagined, as in the voice in “Abortion with Gun Barrel”: “I am the counselor,/there are cracks in the barrel of the gun/there is aiming/shots of sorrow—/ shots of light.” Commitment to a rabid feminist voice continues, but arrival has a new ring to it, with beginnings rescripted: “I am a bastard./I walk around in this body of mine.” Beatty’s fascination with the highway and the breakout West jackknifes at the crossroads of the brutal and the white plains of loss—the body torn down and resurrected in the twenty first century.

More Praise

A jackknife is a large pocket-knife. The bend of cab and trailer. A V-shaped dive. The sharp turn of language into bastard diaries in 'Lake is a red pigment,' pure lineage from the furnace of the word. With volcano, rail car, humor, and pain, Beatty is a throne of fire on blotter-acid imagery.

Diane Glancy

At the heart of Jan Beatty's body of work is desire for recognition from the birth father, the artist in prisons and homeless shelters, tales of hardcore sex. These threads tangle into an almost mythical quest for freedom and clarity. One of our most fearless poets, Beatty tends to the monsters inside her. And we are all the better for it.

David Trinidad

Past Praise for The Switching/Yard
"[one of] 30 New Books That Will Help You Rediscover Poetry"

The Library Journal

Past Praise for The Switching/Yard:
"Remember the scene in Mommy Dearest when Faye Dunaway stares down the stuffed shirts of the corporate boardroom? 'This ain't my first time at the rodeo.' Jan Beatty could have snapped that entire table in half with the raw energy of her words. In the words of R&B vocalist Carl Carlton, 'She's a bad mamajama.'"

D.A. Powell

Past Praise for Red Sugar:
"Having mastered the art of fury, Jan Beatty does not merely write a poem, she wrenches it into being."

Wanda Coleman

Past Praise for Boneshaker:
"'Wild girl fire' is what Jan Beatty calls it, 'that white-hot tearing' that ignites into art or self-destruction."

Sandra Cisneros

Past praise for Mad River:
"[Her] poems speak to us head-on, with courage and a contemporaneous eloquence."

Yusef Komunyakaa
Table of Contents
Sample

168 Pages, 6 x 9 in.

February, 2017

isbn : 9780822964490

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about the author

Jan Beatty

Jan Beatty is the author of six previous collections of poetry, most recently The Body Wars and Jackknife: New and Selected Poems, which won the Paterson Poetry Prize. Her memoir, American Bastard, won the Red Hen Nonfiction Prize. Beatty has worked as a waitress, in abortion clinics, and in maximum-security prisons and is professor emerita at Carlow University, where she directed the MFA and creative writing programs and the Madwomen in the Attic writing workshops.

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Jan Beatty