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Keats tells us that ‘poetry should surprise by a fine excess,’ which is to say that Keats might be a little jealous of Christina Olson’s The Anxiety Workbook. Her work always surprises, either by way of humor or confession or observation or reflection or lyricism—sometimes all in the same poem. Few poets could make the Venn diagram of personal anxiety, a deep interest in mastodons, COVID pandemic anxiety, adulting, body image concerns, and Caddyshack feel inevitable, but by some miracle, Olson is able to achieve the nearly impossible. Her voice is a mixture of knowing and not-knowing, humor and grave seriousness. It feels smart and timely. This is a fantastic book.