No Rhododendron

Poems

If poetry is, as has been defined, a species of magic, Samyak Shertok has conjured an elegant and sophisticated collection that is full of hybridity in form and subject. In the lines ‘What is it that they say about the tongue? / Something like a feathered blade that belongs / only to the dead,’ we are given a view into the conjuring—his view on how language expresses and depresses, how language as noise can mix into cacophony or clarify home. Homes. Diaspora. Conflict—as simple as war and as ambiguous. In all the hybridity, Shertok has stayed and strayed from forms as in his sonnet sequence. Most thrilling is Shertok’s hybrid inventions, where forms are mixed to great effect: the ghazabun is ghazal and haibun, and the ghazanellet is his ghazal, villanelle, and sonnet. And further, he offers forms of his own making that twine together words and sense. There are quotes from sutras, from Blake, from family. There is abiding grief and, in that, surviving to tell and retell stories. This debut collection is an absolute marvel.

Kimiko Hahn, author of The Ghost Trees: : New and Selected Poems and judge of the 2024 Donald Hall Prize for Poetry

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Winner of the 2024 AWP Donald Hall Prize for Poetry

Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker’s father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question about Shertok’s oral mother tongue, Tamang: How do you write about a language that has no script? Exploring the erasure, ambiguity, multiplicity, violence, and unknowability signified by “X,” the poems dwell on the lip of a new ghost language, which ultimately fails itself. The polyphonal witnessing of the decade-long Maoist conflict in his native Nepal from school children’s perspective reveals how a war can fracture the psyche of an entire generation. The final thread of the book, a “reverse-elegy” for his mother, meditates on the impending loss of a loved one as a potential site of mourning, impermanence, gratitude, memory-making, and mythopoeticism.

96 Pages, 6 x 9 in.

October, 2025

isbn : 9780822967484

Series

Pitt Poetry Series

Subjects

Poetry / General

about the author

Samyak Shertok’s poems appear in The Cincinnati Review, The Gettysburg Review, The Iowa Review, The Kenyon Review, POETRY, Shenandoah, Best New Poets, and elsewhere. His honors include the Robert and Adele Schiff Award for Poetry, the Gulf Coast Prize in Poetry, and the Auburn Witness Poetry Prize. He has received fellowships from Aspen Words, the Helene Wurlitzer Foundation, and the Fine Arts Work Center in Provincetown. Originally from Nepal, he was the inaugural Hughes Fellow in Poetry at Southern Methodist University and teaches creative writing at Hendrix College.

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