‘Imagine / the land without the conflicts,’ writes Ajibola Tolase in his blazing debut, 2000 Blacks. From Nigeria to America, Tolase explores the surrealness that arises from living in repressive spaces. Yet despite the violence embedded in systems of power, ‘the native word for burn is the same as dance.’ This is a necessary poetry that leaves no quarter unsinged, a revelation in its willingness to dwell in the unimaginable.