Books

When her “smart” phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald engage feminism in two ways—committing to and battling with—various principles and beliefs.

In Spirit Boxing, Weaver revisits his working class core. The veteran of fifteen years as a factory worker in his native Baltimore, he mines his own experience to build a wellspring of craft in poems that extend from his life to the lives that inhabit the whole landscape of the American working class.

Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many indigenous people, and Inuit in particular. In this collection, autobiographical details – motherhood, marriage, extended family and its geographical context in the rapidly changing arctic – negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations.

“One marvels at the force of seeing in Schwartz’s No Way Out But Through and cannot help but feel a particular gratitude for her abundant humor. Go all in with these poems; you’ll reap unknown rewards. She possesses a quick-witted imagination that sanctifies memories and makes room for the wondrous nature of our cosmopolitan lights.”—Major Jackson

Past Praise for Martha Rhodes’s Mother Quiet:“The aim of poetry (and the higher kind of thriller) is to be unexpected and memorable. So a poem about death might treat it in a way that combines the bizarre and the banal: the Other Side as some kind of institution—a creepy hospital, an officious hotel or retirement home. Martha Rhodes takes such an approach in ‘Ambassadors to the Dead,’ from her abrupt, unsettling, artfully distorted, indelible new book Mother Quiet. Blending the matter-of-fact with the surreal, as a way of comprehending the stunning, final reality, Rhodes is an inheritor of Emily Dickinson’s many poems on the same subject.”—Robert Pinsky, Washington Post

For the Scribe continues Wojahn’s explorations of the interstices between the public and the private, the historical and the personal. Poems of recollection and elegy commingle and conjoin with poems which address larger matters of historical and ecological import.

What is it like living today in the chaos of a city that is at once brutal and beautiful, heir to immigrant ancestors “who supposed their children’s children would be rich and free?” What is it to live in the chaos of a world driven by “intolerable, unquenchable human desire?” How do we cope with all the wars? In the midst of the dark matter and dark energy of the universe, do we know what train we’re on? In this cornucopia of a book, Ostriker finds herself immersed in phenomena ranging from a first snowfall in New York City to the Tibetan diaspora, asking questions that have no reply, writing poems in which “the arrow may be blown off course by storm and returned by miracle.”

In Jackknife: New and Selected Poems, Beatty travels the turns and collisions of over twenty years of work. She moves from first-person narratives to poems that straddle the page in fragments, to lines that sprawl with long lines of train tracks. Always landing in meaning, we are inside the body—not in a confessional voice, not autobiography—but arriving through the expanded, exploded image of many stories and genders.

Cuban Studies is the preeminent journal for scholarly work on Cuba. Each volume includes articles in English and Spanish and a large book review section.

Cuban Studies 45 features two special dossiers: the first discusses the history and workings of the the Cuban constitution and the need to revisit it along with civil and political rights; the second offers new perspectives on the history of health, medicine, and disease in Cuba, and views race as a factor in both infant mortality and tuberculosis from the early-to-mid twentieth century.

Additional essays discuss culture through poetry, higher education reform, the narratives of Lordes Casal, and filmmaker Jesœs Diaz as an ‘unintentional deviationst.’ History is discussed vis-a-vis the radio politics of young Eddy Chibas, the slave abolitionist rhetoric of the Countess of Merlin, and the creole appropriation of Afro-Cuban dance and music to create sabor during the late nineteenth century.

Winner of the 2015 Drue Heinz Literature Prize

This is a collection of unconventionally linked stories, each about a different young woman whose husband dies suddenly and unexpectedly. Ranging from traditional stories to lists, a quiz, a YouTube link, and even a lecture about creative writing, the stories grasp to put into words the ways in which we all cope with unspeakable loss.

The Johnstown Girls is a heartrending tale of twin sisters separated by the 1889 flood in Johnstown, Pennsylvania. Kathleen George masterfully blends a factual history of the flood into her story of two sisters, whose search for each other over the course of one hundred years unfolds after their lives were sent careening down different paths.

This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contributors, from a variety of disciplines including literary theory, cultural studies, and history, explore topics including national identity construction, narratives of resistance to colonialism and imperialism, the construction of revolutionary traditions, and the legacies of authoritarianism and political violence.

The John and Vivian Hewitt Collection of African-American Art represents works that celebrate the expression and passion of twenty artists, including Romare Bearden, Margaret Burroughs, Jonathan Green, Jacob Lawrence, Elizabeth Catlett, Ann Tanksley, and Henry Ossawa Tanner. This book contains all fifty-eight works from the collection, exquisitely reproduced in full color. Grace C. Stanislaus provides a text on the significance of the collection that is supplemented by interviews with Vivian Hewitt, David Taylor of the Gantt Center, art collectors Harmon and Harriett Kelley, and Nancy Washington.

Bread upon the Waters chronicles how the unparalleled effort put into the building of a wide infrastructure to support the provisioning of the newly created but physically isolated city of St. Petersburg profoundly affected all of Russia’s economic life and, ultimately, the historical trajectory of the Russian Empire as a whole.

Teaching Queer looks closely at student writing, transcripts of class discussions, and teaching practices in first-year writing courses to articulate queer theories of literacy and writing instruction, while also considering the embodied actuality of being a queer teacher.