A book of contemporary poetry exploring the fine, shifting line between faith—secular and spiritual faith—and fanaticism in an insecure age, American Fanatics is a lyrical, pop-culture inflected meditation on democracy, morality, beauty, commerce, and the cost of falling dreams.
“Sometimes we have questions that seem to defy answers or even suppositions but then we find Love and Strange Horses to help us map out a course to continue loving life. A really wonderful, thoughtful read by an intriguing new voice.”—Nikki Giovanni
Winner of the 2011 Independent Publisher Book Award (Poetry)
“I have long believed that Lynn Emanuel is one of the most innovative and subversive poets now writing in America. Her aesthetic and artistic choices consistently invoke a complex hybrid poetics that radically reimagines the shape of our poetic discourse. The brilliant, shattering, and disturbing poems of Noose and Hook are not only wry critiques of recent poetic and cultural activity in this country but also compelling signposts to what yet might be possible in our future. This is Lynn Emanuel’s most exquisite and powerful book yet.”—David St. John
“As always with a Bob Hicok book, fascinating and a book you sort of can’t help but pick up and suddenly, two hours later, find yourself having read straight through. I can think of just about no contemporary poets who publish such consistently great work.”—Corduroy Books
“Joanie Mackowski’s hypnotizing View from a Temporary Window is filled with Kafka-like transformations and metamorphoses and haunted by a sense of the body’s strangeness. She writes in a relaxed and lucid manner that pays scrupulous attention to both the imaginary and the real, and to what is uncanny in each.”—John L. Koethe
Winner of the 2008 Agnes Lynch Starrett Poetry Prize
Enacting the Zen proverb “fall down seven times, get up eight,” this collection explores the ways we fall—through disillusionment, disappointment, and plain, old-fashioned mistakes, and the ways we rise up—out of personal debacles, unfortunate circumstances, family legacies, and collective struggles.
Drawing upon intersections of astronomy and mathematics, history, literature, and lived experience, the poems in ]Open Interval[ locate the self in the interval between body and name.
Edson began publishing poetry in the 1960s. He has been called “the godfather of prose poems in America” by Booklist’s Ray Olson. Edson has been quoted as saying “Prose comes so naturally that one doesn’t really have to choose it, it’s already in one’s mouth”.
This collection is a love letter to language with poems that are drunk and filled with references to the hyperkinetic world of the twenty-first century. Yet Zeus and Hera tangle with Leda on the interstate; Ava Gardner becomes a Hindu princess; and Shiva, the Destroyer, reigns over all. English is the primary god here, with its huge vocabulary and omnivorous gluttony for new words, yet the mystery of the alphabet is behind everything, a funky puppet master who can make a new world out of nothing.
Ka-Ching! is a book of poems that explores America’s obsession with money. It also includes a crown of sonnets about e-bay, sestinas on the subjects of Sean Penn and the main characters of fairytales, a pantoum that riffs on a childhood riddle, and a villanelle inspired by bathroom grafitti.
In 1970, as the war in Vietnam was heating up, Ostriker was awaiting the birth of her son. On April 30, President Nixon announced the bombing of Cambodia. On May 14, four students were shot and killed by National Guardsmen at Kent State University. The poems in this collection confront Ostriker’s personal tumult as she considered the world she had brought her son into.
