Books

Translated by Nathan Fields The selected poetry of Milan Děžinský, translated by Nathan Fields, including many poems previously not published in English by the celebrated Czech poet.

The poems in with snow pouring southward past the window turn with and for relatives and beloveds across seas and oceans, continents and nations, languages and histories. In this collection, public and personal archives work with literary translations across several dialects of the Inupiaq language, and re-complexify Arctics at a ...

Antediluvian engages with themes of the ecstatic, desire, mental illness, and spirituality.

Fire is both destructive and regenerative; at times vengeful, at others cleansing. The first mention of fire in Genesis comes after Adam and Eve’s expulsion from Eden. In Greek mythology, Prometheus steals fire from the gods for humankind. Fire becomes metaphorically layered—as knowledge, as desire, as anger. The ...

Steeplechase explores multiple landscapes, including Mississippi and its many church steeples; countries known and unknown; cities and inhabitants both aspirational and lost. Its voice is humorous, bewildered, disillusioned, hopeful. The book’s temporal setting is the two years of extra life granted a partner after catastrophic illness and surgery: love’...

The world is burning with fire and hatred, but at the same time it is filled with love and incredible beauty. The poems in Burn tango with why the world is so beautiful and terrible at the same time. Hamby asserts that everything is a mess—how do we walk ...

Winner of the 2024 Donald Hall Prize for Poetry Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker’s father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question ...

Flop Era reckons with the complications of being human, and therefore, with the consequences of being fundamentally flawed. It contends with failed potential and the certain uncertainty of the future, while interrogating the past for clues that might explain why, as the speaker bemoans, “there are never enough nails in ...

No Longer at This Address explores place and the psychology of leaving through the inflammatory lens of the American West. The collection uses the lyric-narrative mode to complicate notions of rootedness and address the ephemerality of where one’s from. The poems visit bison ranches in the Rocky Mountains, converse ...

What God in the Kingdom of Bastards is a poetic exploration of grief, memory, Blackness, and the haunting legacy of familial trauma by way of colonialism, told through the lens of two brothers: Lot, the elder, who is flesh and alive, and Frank, the younger, a ghost navigating his post-suicide ...

Winner of the 2025 Agnes Lynch Starrett Poetry Prize A one-of-a-kind debut that asks what we owe those we love, The Same Man is an aching chronicle of the early days of parenthood and the wounds of the past. Haunted by memory and powered by the demands and joys of new ...

Rebecca Lehmann’s The Sweating Sickness contains wide-ranging topics—the suicide of an abusive ex, parenting young children, fairy tales, reproductive rights, domestic violence, ghost stories, ancient myth—all set to the backdrop of the COVID-19 pandemic. Both personal and political, these poems interrogate how we grieve, what it means ...

New Playlist holds a variety of poetic forms: odes, found, haiku, prose, list, collages, one-liners, sonnets, and more. With his trademark wit and inventiveness, David Trinidad “plays” with these forms as if they were toys. He creates a Wikipedia cento in which each line illustrates how little is known of ...

The Occupant is a collection of persona and prose poems that explores the “inner lives” of common household objects, along with that of “The Occupant” of the house, their human keeper. Taken together, their shifting perspectives engage questions of time, mortality, and the nature of consciousness itself, reminding readers of ...

Dragstripping, Jan Beatty’s seventh collection of poems, takes readers to the literal dragstrip, the metaphorical dragstrip of the body, and the strip club, where the ecstatic is rescripted and where women disappear and reappear in the crosscut of gender. Transgressing into and out of poetic form, Beatty writes the ...