Search Results

George Grayson examines the influence of oil and the oil sector both within Mexican society and in its relations with other nations, as he traces the development of the oil industry from its beginnings in 1901 up until the 1980s.

Combining biographical and institutional history, Thomas C. Lassman examines the professional career of theoretical physicist Edward Condon at Princeton University, Pittsburgh’s Westinghouse Electric Company and Manufacturing Company, and the National Bureau of Standards to illuminate contested visions of the usefulness of science that played out during The Great Depression, the Second World War, and the early Cold War.

Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. Gonzalez focuses on Rama’s response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukacs. He argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization.

Ka-Ching! is a book of poems that explores America’s obsession with money. It also includes a crown of sonnets about e-bay, sestinas on the subjects of Sean Penn and the main characters of fairytales, a pantoum that riffs on a childhood riddle, and a villanelle inspired by bathroom grafitti.

Imperial is a collection of poems, both serious and hilarious, ranging in subject matter from marriage, divorce, popular culture, to the pitfalls, perils, and predicaments of middle-aged, middle-class, mid-American suburban life.

Dion’ study examines the major political role of organized labor in establishing and effecting change in Mexico’s social protection programs throughout the twentieth-century.

“I have long believed that Lynn Emanuel is one of the most innovative and subversive poets now writing in America. Her aesthetic and artistic choices consistently invoke a complex hybrid poetics that radically reimagines the shape of our poetic discourse. The brilliant, shattering, and disturbing poems of Noose and Hook are not only wry critiques of recent poetic and cultural activity in this country but also compelling signposts to what yet might be possible in our future. This is Lynn Emanuel’s most exquisite and powerful book yet.”—David St. John

Rabasa offers new interpretations of the meaning of history from indigenous perspectives and develops the concept of a communal temporality that is not limited by time, but rather exists within the individual, community, and culture as a living knowledge that links both past and present. Rabasa recalls the works of Marx, Lenin, and Gramsci, and contemporary south Asian subalternists Ranajit Guha and Dipesh Chakrabarty, among others. He incorporates their conceptions of communality, insurgency, resistance to hegemonic governments, and the creation of autonomous spaces as strategies employed by indigenous groups around the globe, but goes further in defining these strategies as millennial and deeply rooted in Mesoamerican antiquity.

Frederico Garcia lived in Manhattan from 1929 to 1930, and the poetry he wrote about the city, Poet in New York, was posthumously published in 1940. Eighty years after Lorca’s sojourn to America, Nathalie Handal, a poet from New York, went to Spain to write Poet in Andalucia. Handal recreated Lorca’s journey in reverse.

Appetite is a book of poetry that explores identity, particularly masculinity, through the lenses of popular culture, relationships, and place.

“Reading Jeffrey McDaniel’s gorgeously dark and utterly compelling Chapel of Inadvertent Joy reminds me that he is probably the most important poet in America. The book in your hands was written by a master of metaphor and a poet of huge imagination and fierce ingenuity, a fine antidote to realism. Get this voice in your head.”—Major Jackson

On the Street of Divine Love is a collection of twenty-five years of Barbara Hamby’s poems—word drunk excursions into the American female consciousness with stops in Italy, Paris, and London.

Daniel French examines the American social perceptions of electricity as an energy technology between the mid-19th and early decades of the 20th centuries. Arguing that both technical and cultural factors played a role, French shows how electricity became an invisible and abstract form of energy in American society, leading Americans to culturally construct electricity as unlimited and environmentally inconsequential—a newfound “basic right” of life in the United States.

Sound of the Ax is a collection of over 400 wise and witty sayings and 26 aphoristic poems by one of the essential poets of the twentieth century, William Stafford.

Peter Meinke moves fluidly through free and formal shapes, taking the reader on a tour through America in the 21st century: family, politics, love, war and peace, old age and death are looked at in ways that are surprising, clear, and warm-hearted. Lit by flashes of anger and laughter as he surveys his territory from the vantage point of old age, the poems are, in the end, both sane and profound, set to Meinke’s own music.