|9780822967675|Poems|Antediluvian engages with themes of the ecstatic, desire, mental illness, and spirituality. Written in part during the COVID-19 pandemic, the book’s speaker calls on an intertextual constellation of artists as they attempt to wade through agoraphobia, parse out their relationship with God, and navigate falling in love. Overall, the landscape of the collection is a deep dive into the speaker’s psyche, and what it means to push past the confines of one’s oppressive interior.| Kameryn Alexa Carter| Pitt Poetry Series| Poetry / American / African American Poetry / General

|9780822967682|Poems|Fire is both destructive and regenerative; at times vengeful, at others cleansing. The first mention of fire in Genesis comes after Adam and Eve’s expulsion from Eden. In Greek mythology, Prometheus steals fire from the gods for humankind. Fire becomes metaphorically layered—as knowledge, as desire, as anger. The book entertains the many strands of this fiery lineage as it undertakes a poetic investigation into grief and sex, loneliness and restlessness within intimacy, and language’s ability to make, unmake, and remake things. Hoffer engages in questions of gender, anger, and nationality—how women are made subject to expectations of care and fidelity….

|9780822967651|Poems| Included in LitHub’s Most Anticipated Poetry of 2026Steeplechase explores multiple landscapes, including Mississippi and its many church steeples; countries known and unknown; cities and inhabitants both aspirational and lost. Its voice is humorous, bewildered, disillusioned, hopeful. The book’s temporal setting is the two years of extra life granted a partner after catastrophic illness and surgery: love’s last compelling season. | Angela Ball| Pitt Poetry Series| Poetry / American / General Poetry / General Poetry / Subjects & Themes / Places

|9780822967521|Poems|The world is burning with fire and hatred, but at the same time it is filled with love and incredible beauty. The poems in Burn tango with why the world is so beautiful and terrible at the same time. Hamby asserts that everything is a mess—how do we walk through it laughing and crying? Sometimes you look back and think, “How was I so lucky? I could have died a thousand times, but I didn’t. But I will.”| Barbara Hamby| Pitt Poetry Series| Poetry / General

|9780822967484|Poems| Finalist, 2026 PEN Open Book AwardFinalist for the 2026 Nossrat Yassini Poetry PrizeFeatured in Poetry Daily‘s Best Poems of 2025Winner, 2024 Donald Hall Prize for Poetry Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker’s father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question about Shertok’s oral mother tongue, Tamang: How do you write about a language that has no script? Exploring the erasure, ambiguity, multiplicity, violence, and unknowability signified by “X,” the poems dwell on…