|9780822967682|Poems|Fire is both destructive and regenerative; at times vengeful, at others cleansing. The first mention of fire in Genesis comes after Adam and Eve’s expulsion from Eden. In Greek mythology, Prometheus steals fire from the gods for humankind. Fire becomes metaphorically layered—as knowledge, as desire, as anger. The book entertains the many strands of this fiery lineage as it undertakes a poetic investigation into grief and sex, loneliness and restlessness within intimacy, and language’s ability to make, unmake, and remake things. Hoffer engages in questions of gender, anger, and nationality—how women are made subject to expectations of care and fidelity….

|9780822967651|Poems| Included in LitHub’s Most Anticipated Poetry of 2026Steeplechase explores multiple landscapes, including Mississippi and its many church steeples; countries known and unknown; cities and inhabitants both aspirational and lost. Its voice is humorous, bewildered, disillusioned, hopeful. The book’s temporal setting is the two years of extra life granted a partner after catastrophic illness and surgery: love’s last compelling season. | Angela Ball| Pitt Poetry Series| Poetry / American / General Poetry / General Poetry / Subjects & Themes / Places

|9780822967521|Poems|The world is burning with fire and hatred, but at the same time it is filled with love and incredible beauty. The poems in Burn tango with why the world is so beautiful and terrible at the same time. Hamby asserts that everything is a mess—how do we walk through it laughing and crying? Sometimes you look back and think, “How was I so lucky? I could have died a thousand times, but I didn’t. But I will.”| Barbara Hamby| Pitt Poetry Series| Poetry / General

|9780822967484|Poems| Longlist, 2026 Julie Suk AwardFinalist, 2026 PEN Open Book AwardFinalist for the 2026 Nossrat Yassini Poetry PrizeFeatured in Poetry Daily‘s Best Poems of 2025Winner, 2024 Donald Hall Prize for Poetry Part elegy, part poetry of witness, and part poetry of exile, No Rhododendron is a lament to the poet-speaker’s father and fatherland and a grief-wrought love letter to his mother and mother tongue. The collection is haunted by an existential question about Shertok’s oral mother tongue, Tamang: How do you write about a language that has no script? Exploring the erasure, ambiguity, multiplicity, violence, and unknowability signified by “X,”…

|9780822967583|Poems| A New Yorker Best Book of 2025Flop Era reckons with the complications of being human, and therefore, with the consequences of being fundamentally flawed. It contends with failed potential and the certain uncertainty of the future, while interrogating the past for clues that might explain why, as the speaker bemoans, “there are never enough nails in the coffin of poor choices.” While Egger throws confetti on the quotidian, she disarms the reader with earnestness and vulnerability. Rich in metaphor, affable and self-deprecating, the poems in Flop Era shine a spotlight on regret, infidelity, the feminine ideal, fear of death,…