A Showcase that Reveals Photography as an Important but Understudied Latin American Cultural Genre
Essays that Demonstrate the Theoretical Capacity of Castillo’s Work and the Connections We Can Make through Literature to Larger Cultural, Political, and Global Concerns
A Collection of Essays that Cast a Light on Giannina Braschi’s Exquisite, Experimental, and Genre and Gender Bending Work
Situates Theater and Performance in Debates on Dominican History and Culture and the Impact of Migration
A Study of the Work of Ilan Stavans
Performance Art as a Source of Historical Truth in Mexico
A new reading of U.S. Latinx literature in translation.
How literature challenges the historical methodologies that have silenced the American experience of Puerto Rican women.
The first major study of the life and work of Dominican-born bilingual American poet and translator Rhina P. Espaillat (b. 1932). The authors define Espaillat’s place in American letters with attention to her formalist aesthetics, Hispanic Caribbean immigrant background, poetic community-building, bilingual ethos, and domestically-minded woman-of-color feminism.
Carter examines the field of television production by focusing on the work of one of Brazil’s greatest living directors, Luiz Fernando Carvalho. Through an emphasis on Carvalho’s thirty-plus year career working for TV Globo, his unique mode of production, and his development of a singular aesthetic as a reaction to the dominant telenovela genre, Carter sheds new light on Brazilian television’s history.
This is a collection of conversations with more than thirty Latina/o authors of literature for young people. Aldama provides an introduction and serves as the interviewer for each author. The conversations revolve around the idea of Latina/o identity and what that means for authors of books for children and young adults. They also talk extensively about their experiences within the publishing industry and about their audiences. There is not a lot of scholarship in the volume, but it allows Latina/o writers of children’s and young adult literature to speak for themselves.
A critical examination of the work of Gilbert and Jaime Hernandez, Mexican-American brothers whose graphic novels are highly influential The brothers started in the alt-comics scene, where their ‘Love and Rockets’ series gained prominence. Their depictions of latinidad and sexuality push against the edicts of mainstream Anglophone culture, but they also defy many Latino perceptions of life, politics, and self-representation.
Foster analyzes the imagery of ten distinctive artists who offer a range of approaches to portraying Chicano life. The production of each artist is examined as an ideological interpretation of how Chicano experience is constructed and interpreted through the medium of photography, in sites ranging from the traditional barrio to large metropolitan societies.
This volume reassesses the field of Chicana/o literary studies in light of the rise of Latina/o studies, the recovery of a large body of early literature by Mexican Americans, and the “transnational turn” in American studies. The chapters reveal how “Chicano” defines a literary critical sensibility as well as a political one, and show how this view can yield new insights about the status of Mexican Americans, the legacies of colonialism, and the ongoing prospects for social justice.
Reading Junot Diaz is the first study to focus on his complete body of published works. It explores the totality of his work and provides a concise view of the interconnected and multilayered narrative that weaves throughout Diaz’s writings.