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Combining biographical and institutional history, Thomas C. Lassman examines the professional career of theoretical physicist Edward Condon at Princeton University, Pittsburgh’s Westinghouse Electric Company and Manufacturing Company, and the National Bureau of Standards to illuminate contested visions of the usefulness of science that played out during The Great Depression, the Second World War, and the early Cold War.

The first major study of the life and work of Dominican-born bilingual American poet and translator Rhina P. Espaillat (b. 1932). The authors define Espaillat’s place in American letters with attention to her formalist aesthetics, Hispanic Caribbean immigrant background, poetic community-building, bilingual ethos, and domestically-minded woman-of-color feminism.

Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. Gonzalez focuses on Rama’s response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukacs. He argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization.

Daniel French examines the American social perceptions of electricity as an energy technology between the mid-19th and early decades of the 20th centuries. Arguing that both technical and cultural factors played a role, French shows how electricity became an invisible and abstract form of energy in American society, leading Americans to culturally construct electricity as unlimited and environmentally inconsequential—a newfound “basic right” of life in the United States.

Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.

In the eighteenth century, malaria was a prevalent and deadly disease, and the only effective treatment was found in the Andean forests of Spanish America: a medicinal bark harvested from cinchona trees that would later give rise to the antimalarial drug quinine. The Andean Wonder Drug uses the story of cinchona bark to demonstrate how the imperial politics of knowledge in the Spanish Atlantic ultimately undermined efforts to transform European science into a tool of empire.

In Energy Corridor, Houston, Texas is the macabre avatar for a nation that has systematically stripped political and economic power from the middle and lower classes. In these poems the speaker wrestles with the guilt and complacency of living in the world’s wealthiest nation.

Collected here are poems from Peter Oresick’s previous books, beginning with The Story of Glass (1977), and to them are added 36 new poems called Under the Carpathians. His work—known for working class and Catholic themes—probes labor and social history, post-World War II America, Eastern European identity, Eastern Rite Catholicism, and Russian icons and fine art and especially Pittsburgh-born pop art icon Andy Warhol.

Winner of the 2013 Donald Hall Prize in Poetry

The Dottery is a book of poetry arisen from a thought experiment—what if there was a school before birth where gender was taught?

Peter Meinke moves fluidly through free and formal shapes, taking the reader on a tour through America in the 21st century: family, politics, love, war and peace, old age and death are looked at in ways that are surprising, clear, and warm-hearted. Lit by flashes of anger and laughter as he surveys his territory from the vantage point of old age, the poems are, in the end, both sane and profound, set to Meinke’s own music.

Sound of the Ax is a collection of over 400 wise and witty sayings and 26 aphoristic poems by one of the essential poets of the twentieth century, William Stafford.

On the Street of Divine Love is a collection of twenty-five years of Barbara Hamby’s poems—word drunk excursions into the American female consciousness with stops in Italy, Paris, and London.

Imperial is a collection of poems, both serious and hilarious, ranging in subject matter from marriage, divorce, popular culture, to the pitfalls, perils, and predicaments of middle-aged, middle-class, mid-American suburban life.

“Reading Jeffrey McDaniel’s gorgeously dark and utterly compelling Chapel of Inadvertent Joy reminds me that he is probably the most important poet in America. The book in your hands was written by a master of metaphor and a poet of huge imagination and fierce ingenuity, a fine antidote to realism. Get this voice in your head.”—Major Jackson

Appetite is a book of poetry that explores identity, particularly masculinity, through the lenses of popular culture, relationships, and place.