Poetry / General

A few days before his death in 1996, Larry Levis mentioned to his friend and former instructor Philip Levine that he had “an all-but-completed manuscript” of poems. After Levis’s death, Levine edited the poems Levis had left behind. What emerged is this haunting collection, Elegy.

Toi Derricotte’s fourth collection of poetry. Tender probes sexuality, spirituality, emotion, child abuse, mother hatred, and the physical and psychological ravages of violence. These poems are raw and upsetting in subject matter, yet extremely readable.

The fifth collection of poetry by David Wojahn. The Falling Hour is a book in which the workings of personal history collide with the forces of public history, examining loss and cultural legacies. Marks a significant advance from Wojahn’s previous works, as he employs both strict forms and free verse.

Jim Daniels’ Blessing the House visits the sites of domestic faith – Catholic schools, sex and marriage, childbirth – in an attempt to witness a world worth believing in. In their search for hope, grace, and decency in the small dramas of an individual life, these poems become larger, more overtly political and express a genuine interest in human emotion.

Angel, Interupted is Reginald Shepherd’s second poetry collection. The poems are lyrical, streetwise and contemporary, yet timeless, classically referential, and introspective.

The locales of these poems range from the mountains of western Pennsylvania to the Andes, the subjects from memories of Kilwein Guevara’s native Colombia to a New York street scene. What characterizes all of them is precise and surprising language, a brilliance of effect, that establishes him as one of the most original young American poets.

Winner of the 1996 Lambda Book Award for Lesbian Poetry.

Winner of the 1994 Agnes Starrett Poetry Prize and the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust.

To celebrate Billy Collins’s years as U.S. Poet Laureate, we are pleased to announce this special hardcover edition of one of the books that helped establish and secure his reputation in the 1990s.

Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

City of Salt, Gregory Orr’s sixth book of poems, is largely autobiographical and presents moments of intense emotion which are anchored in clearly dramatized events. These are poems of elegy and celebration, and of occasions where the two modes fuse in acts of redemptive imagination.

Weaver’s life studies and lyrics are imbued with a vivid sense of language, a vivid sense of the world, a vivid sense of their inseparability. And his tonal range—from unabashed passion to the subtlest velleity—is impressive indeed. This is a singular talent.—Henry Louis Gates, Jr.

This first collection of poems enacts the struggle of a young black gay man in his search for identity. Many voices haunt these poems: black and white, male and female, the oppressor’s voice as well as the oppressed. The poet’s aim, finally, is to rescue some portion of the drowned and the drowning.

In this, Song’s third book, the poems are like the school figures an ice skater etches onto the ice – the pen moving silently and deliberately across a white expanse of paper and experience, bringing maximum pressure to bear upon the blade of language to unlock “the invisible fire beneath the ice.”

Late Empire, David Wojahn’s most wide-ranging collection of poetry, affirms his status as one of the most compelling and original voices of his generation. In these poems, private history and public history mingle and merge in a way that is by turns deeply personal and elegiac. Centered around tow masterful elegies for the writers parents, the poems also treat an array of subjects familiar to us from news events but rarely examined by contemporary poetry.