Books

Love on the Streets is a selection of poems from four of Doubiago’s books of poetry, two of which are book-length poems, plus new poetry. It is the culmination of thirty years of writing “on the road.”

Legras views the factors that have both formed and stifled the integration of peripheral experiences into Latin American literature. He analyzes key works by novelists Juan Jose Saer (The Witness), Nellie Campobello (Cartucho), Roa Bastos (Son of Man), and Jose Maria Arguedas (The Fox from Up Above and the Fox from Down Below), among others, to provide a theoretical basis for understanding the plight of the author, the peripheral voice, and the confines of the literary medium.

Forge examines the challenges of social, moral, and legal responsibility faced by today’s scientists. He presents a broad overview of many areas of scientific endeavor, citing the responsibility of corporations, employees, and groups of scientists as judged by the values of science and society’s appraisals of actions and outcomes. Forge maintains that ultimate responsibility lies in the hands of the individual—the responsible scientist—who must exhibit the foresight to anticipate the use and abuse of his or her work.

Winner of the 2010 Eureka Prize for Research in Ethics from the Australian Catholic University

Over the last two decades, indigenous populations in Latin America have achieved remarkable visibility and political effectiveness, particularly in Ecuador and Bolivia. Lucero compares Ecuador’s united indigenous movement to the more fragmented situation in Bolivia, and analyzes the mechanisms at work in political and social structures to explain the different outcomes in each country.

Winner of the 2007 Donald Hall Prize in PoetrySelected by Bob Hicok

Burn and Dodge is a collection of poems that “burns” with contemporary vices such as: Guilt, Envy, Regret, and Indecision while also “dodging” such concerns with formal playfulness.

Winner of the 2007 Cave Canem Poetry Prize.

Prose poems that profile the interrelationship of the two central characters, looking deeply into their psyches and thoughts of race, class, and identity.

Read a press release about this book

From the 1905 opening of the wildly popular, eponymous Nickelodeon in the city’s downtown to the outgrowth of nickel theaters in nearly all of its neighborhoods, Pittsburgh proved to be perfect for the movies. Nickelodeon City profiles the major promoters in Pittsburgh, as well as ordinary theater owners, suppliers, and patrons. Aronson examines early film promotion, distribution, and exhibition, and reveals the beginnings of state censorship and the lobbying and manipulation attempted by members of the movie trade.

This volume brings together an expert group of commentators and participants from within the Bolivian political arena to offer diverse perspectives on ethnicity, regionalism, state-society relations, constitutional reform, economic development, and globalization.

The Fallingwater Cookbook captures the experience of fine and casual dining at this famed home. Suzanne Martinson, former food editor and writer for the Pittsburgh Press and the Pittsburgh Post-Gazette, relates recipes from Elsie Henderson, the Kaufmann family cook at Fallingwater, along with Henderson’s memories of life at the house. The book also includes recipes from chef Robert Sendall, cooking instructor Jane Citron, and Mary Ann Moreau, former chef of the Fallingwater Cafe, along with photos of food, family, and Fallingwater.

Winner of the Special Jury Award, Gourmand World Cookbook Awards

The Chief is a one-man play that faithfully reenacts the larger-than-life persona of Pittsburgh icon Art Rooney, owner of one of the most successful football franchises of all time. Reproduced in print for the first time, it’s complemented by photographs of Rooney, his family, members of the Steelers, and scenes from the play.

WINNER OF THE 2007 AGNES LYNCH STARRETT POETRY PRIZE

For a Limited Time Only explores issues of aging, illness, and mortality, and the philosophical and theological speculations that arise from personal tragedy, and invokes humor, hope, and consolation in the face of death and loss.

Winner of the 2008 Posner Book-Length Poetry Award.

Winner of the 2009 Wisconsin Library Association Outstanding Achievement in Poetry Award.

These poems describe the private and sometimes secret spaces of marriage, parenthood, and knowledge.

This book presents one of the first comparative histories of rivers on the continents of Europe and North America in the modern age. The contributors examine the impact of rivers on humans and, conversely, the impact of humans on rivers. They view this dynamic relationship through political, cultural, industrial, social, and ecological perspectives in national and transnational settings. Contributors analyze the regional, national, and international politicization of rivers, the use and treatment of waterways in urban versus rural environments, and the increasing role of international commissions in ecological and commercial legislation for the protection of river resources. Case studies include the Seine in Paris, the Mississippi, the Volga, the Rhine, and the rivers of Pittsburgh.

This book exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, Kaganovsky examines the recurring theme of the mutilated male body. She views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr’ev’s The Party Card, Eduard Pentslin’s The Fighter Pilots, and Mikhail Chiaureli’s The Fall of Berlin, among others. The symbolism of wounding in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.