Books

Bringing the Shovel Down is a re-imagination of the violent mythologies of state and power.

“These poems speak out of a global consciousness as well as an individual wisdom that is bright with pity, terror, and rage, and which asks the reader to realize that she is not alone—that the grief he carries is not just his own. Gay is a poet of conscience, who echoes Tomas Transtromer’s ‘We do not surrender. But want peace.'”—Jean Valentine

Edited and with a foreword by Robert Philen

“Clay, red clay in particular, recurs several times throughout the collection as a motif of earth. It is the substance of creation, but always of impermanent things, whether heroes or Babylonian statues with feet of clay, or of things durable but fragile, such as the cuneiform tablets of ‘A Parking Lot Just Outside the Ruins of Babylon.'”—Robert Philen, from the Foreword

Youngner examines the transformation of the depiction of industry in 19th century Pittsburgh from environmental nuisance to an idealized glorification of industrial might, in both fine art and illustration.

World Tree is in many respects, David Wojahn’s most ambitious collection to date; especially notable is a 25-poem sequence of ekphrastic poems, “Ochre,” which is accompanied by a haunting series of drawings and photographs of Neolithic Art and anonymous turn of the last century snapshot.

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Winner, 2012 Lenore Marshall Poetry Prize from the Academy of American Poets

Co-winner of the 2013 Nicholas Roerich Museum Poets’ Prize

Explores conceptualizations of regional identity and a distinct population group known as nordestinos in northeastern Brazil during a crucial historical period. Beginning with the abolition of slavery and ending with the demise of the Estado Novo under Getœlio Vargas, Stanley E. Blake offers original perspectives on the paradoxical concept of the nordestino and the importance of these debates to the process of state and nation building.

The first comprehensive history of architectural practice and the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, Zarecor opens a rare window into the cultural and economic life of Eastern Europe during the early postwar period.

Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ every day to compose and communicate their thoughts. While she views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.

Melosi examines water resources in the United States and addresses whether access to water is an inalienable right of citizens, and if government is responsible for its distribution as a public good. He provides historical background on the construction, administration, and adaptability of water supply and wastewater systems in urban America. Looking to the future, he compares the costs and benefits of public versus private water supply, examining the global movement toward privatization.

Was Darwin really inspired by Galapagos finches? Did Einstein’s wife secretly contribute to his theories? Did Franklin fly a kite in a thunderstorm? Did a falling apple lead Newton to universal gravity? Did Galileo drop objects from the Leaning Tower of Pisa? Did Einstein really believe in God? Science Secrets answers these questions and many others. It is a unique study of how myths evolve in the history of science. The book includes new findings related to the Copernican revolution, alchemy, Pythagoras, young Einstein, and other events and figures in the history of science.

Metropolitan Natures presents original histories of the diverse environments that constitute Montreal and its region. It explores the agricultural and industrial transformation of the metropolitan area, the interaction of city and hinterland, and the interplay of humans and nature.

In the spring of 1968, the English faculty at the University of Wisconsin-Madison (UW) voted to remedialize the first semester of its required freshman composition course, English 101. The following year, it eliminated outright the second semester course, English 102. For the next quarter-century, UW had no real campus-wide writing requirement, putting it out of step with its peer institutions and preventing it from fully joining the “composition revolution” of the 1970s.

Fleming shows how contributing factors—the growing reliance on TAs; the questioning of traditional curricula by young instructors and their students; the disinterest of faculty in teaching and administering general education courses—were part of a larger shift affecting universities nationally. He also connects the events of this period to the long, embattled history of freshman composition in the United States.

Winner of the 2012 CCCC Outstanding Book AwardWinner of the 2011 MLA Mina P. Shaughnessy Prize

During their term, Juan and Eva Per—n (1946-1955) led the region’s largest populist movement in pursuit of new political hopes and material desires. In Dignifying Argentina, Eduardo Elena considers this transformative moment from a fresh perspective by exploring the intersection of populism and mass consumption. He argues that Peronist actors redefined national citizenship around expansive promises of a vida digna (dignified life), which encompassed not only the satisfaction of basic wants, but also the integration of working Argentines into a modern consumer society.

Winner of the 2013 Book Prize in the Social Sciences awarded by the Southern Cone Studies Section of the Latin American Studies Association.

Winner of the 2010 Donald Hall Prize in Poetry

Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. She also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.

Poetry in America offers lyric and narrative poems that function like works of social realism for our times: hard times, wartime, divorce, times of downturn and dissipated resources.

Wanda Coleman creates the kind of poetry that excites and ignites those who hate poetry, refreshes it for those who are bored by it, and inspires those who want to write it.

“In The World Falls Away, Wanda Coleman’s poems glow with an almost radioactive edginess. Yet, there is also range and substance giving her intense American voice staying power. To use, Whitman’s word, her work has ‘amplitude.'”—Diane Wakoski

Winner of the 2012 annual Book Award presented by The Poetry Center, San Francisco State University.