Poetry / American / General

In her third collection, Beatty travels inside the body to the blood that codes us, moving beyond the language of post-confessionialism into fourth-wave feminism, challenging notions of the “romantic” “and the “brutal” and how they exist within us and between us.

The Floating Bridge, David Shumate’s second collection of prose poems, transports its readers over the chasm between the mundane and the enchanted. We traverse one bridge and find ourselves eavesdropping on Gertrude Stein and her gardener. We take the night bus to Gomorrah to have a look around. Halfway across, each bridge vanishes beneath our feet. Our world shifts. The commonplace begins to glow. We turn the page. Another bridge awaits.

Winner of the 2008 Paterson Award for Literary Excellence

The Plum Flower Dance includes new poems and poems from Weaver’s earlier works My Fathers Geography, and Timber and Prayer, among others.

After the Fall refers to the twin towers, and is Field’s ode to the events that transpired thereafter—the war in Iraq andthe attack on civil rights in America—as well as his own personal struggles over the indignities of aging.

Winner of the 2006 Donald Hall Prize in Poetry.Angela Ball’s lyrical, wry, and rueful poems float on a river of incongruities on which we may find Ron Popeil, Lord Byron, and Rudyard Kipling sharing the same raft; they create a fascinating commerce between the sublime and the ridiculous.

These poems, threaded by the teachings of Buddha, examine loss—the death of a loved one, the longing for a child, the yearning for another place and time—and the suffering such attempts transpire, but ultimately the poems are an affirmation that to be born into human life is our greatest opportunity to transform loss and sorrow into awakening joy.

Winner of the 2006 Agnes Lynch Starrett Poetry Prize

Krygowski’s poems—often sad, sometimes humorous, always generous—are lovingly grounded in the ordinary. They are thinking poems—tightly crafted, accessible inquiries more interested in exploring stark and complicated knowledge than in proclaiming it.

The Invention of the Kaleidoscope is a book of poetic elegies that discuss failures: failures of love, both sexual and spiritual; failures of the body; failures of science, art and technology; failures of nature, imagination, memory and, most importantly, the failures inherent to elegiac narratives and our formal attempt to memoralize the lost. But the book also explores the necessity of such narratives, as well as the creative possibilities implicit within the “failed elegy,” all while examining the various ways that self-destruction can turn into self-preservation.

While Richard Shelton has been known primarily for his poems dealing with the landscape of the Southwest and the destruction of that landscape, the poems in this book are much more far-ranging, including many poems dealing with social issues (the issue of illegal immigration on our southern border, homelessness), historical events (the war in Iraq, the events of 9/11) and attitudes concerning politics and the environment. The poems are filled with sensory images, engaged in the real world, often ironic or simply off-the-wall, and their tone ranges from deeply sad, as in a requiem for Glen Canyon on the Colorado River, to the wildly funny, as in Brief Communications from My widowed Mother.

Fata Morgana mingles personal experience, history, mythology, politics, and natural science to explore the relationships of conception and perception, the self finding its way through a physical and social world not of its own making, but changing the world by its presence.

Winner of the 2008 Bobbit National Poetry Prize

“Few others in contemporary poetry are so brilliantly able to combine wit and weight, to charge the language so it virtually glows in the dark. Hicok’s poems just plain rock. They rock because they are gorgeous. They rock because they are sad and turn on the radio. They dance our ‘clumsy living’ with our shadows and our isolations to a music that always, always remembers the original delight in which ‘the feel of things, if [we] cherish, helps [us] live / more like a minute than a clock.'”—Beckian Fritz Goldberg

Winner of the 2005 Agnes Lynch Starrett Poetry Prize.

Winner of the 2008 Whiting Writer’s Award.

Winner of the 2007 Poetry Book of the Year Award from ForeWord Magazine.

The poems are heartrending and incisive. Through the poet’s eloquent craft, painful histories and images (such as the Holocaust) are beautifully and luminously preserved.

Winner of the 2005 Donald Hall Prize in Poetry.

Winner of the 2009 Chad Walsh Prize

Hodgen’s third book of poetry. The poems roam through history, religion, man-made disasters, baseball, pop culture, and Wal-Marts, with remarkable completeness, maturity, and dexterity.

Robin Becker explores the conditions under which we experience and resist pleasure: in beauty salon, summer camp, beach, backyard or museum; New York, or New Mexico. These poems offer sharp pleasures as they argue, elegize, mourn, praise, and sing.

Muriel Rukeyser earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser’s translations, including the first English translations of Octavio Paz’s work; early work by Rukeyser not previously published in book form; and the controversial book-length poem ‘Wake Island.’