A critical history of experimental writing theory, its aesthetic foundations, and their application to current multimodal writing. Patricia Sullivan sheds new light on both the positive and negative aspects of experimental writing and its attempts to redefine the writing disciplines. She further articulates the ways that multimedia is and isn’t changing composition pedagogies, and provides insights into resolving these tensions.
This book offers a very different kind of short fiction, blending story with verse to evoke fantasy, allegory, metaphor, love, body, mind, and nearly every sensory perception.
From the 1890s to the 1930s, Claude Bragdon enjoyed an international reputation as an architect, designer, and critic working in the progressive tradition associated with Louis Sullivan, Frank Lloyd Wright, and the Prairie School. In 1915 Bragdon created “projective ornament,” a system of geometric patterns designed to serve as a universal ...
Buck-Morss draws new connections between history, inequality, social conflict, and human emancipation through a fundamental reinterpretation of Hegel’s master-slave dialectic. Historicizing the thought of Hegel and the actions taken in the Haitian Revolution, Buck-Morss examines the startling connections between the two and challenges us to widen the boundaries of our historical imagination.
Crossing Borderlands contains essays examining the intersection between composition and postcolonial studies, two fields that seek to provide power to the words and actions of those who have been marginalized or oppressed.
Winner of the 2000 Drue Heinz Literature Prize, selected by Frank Conroy. Inter-connected short stories about a family with roots in a remote Italian mountain village.
The poems of Shepherd’s third book seek to redefine the meaning of mythology, from the ruined representatives of Greek divinity to the dazzling extravagances of predecessors like Hart Crane and Wallace Stevens.
Dance Improvisations is a book for teachers of dance and acting, choreographers, directors, and dance therapists. Methodical, yet inventive, this book offers highly structured techniques for developing dancers’ ability to work together.
“The editors have merged work from two disciplines, economics and political science; in a summary conclusion, a sociologist suggests possible extensions in the comparison of socialist systems for the future. . . . contributes generously to the field.”—Slavic Review