Books

A journalist, diplomat, and writer, William Christian Bullitt was a member of the American delegation to the Paris Peace Conference (1919), the first Ambassador to the Soviet Union (1933-1936) and France (1936-1940), and the Special Representative of the President of the United States in the Middle East (1940). He played a huge role in the establishment of US-USSR relations on the eve of World War II. Based on Bullitt’s unpublished papers and diplomatic documents from the Russian archives, this new biography presents Bullitt as a truly cosmopolitan American, one of the first politicians of the global era.

Winner of the 2019 CCCC Outstanding Book Award.

Lorimer Leonard shows how multilingual migrant women both succeed and struggle in their writing contexts. Based on a qualitative study of everyday multilingual writers in the United States, she shows how migrants’ literacies are revalued because they move with writers among their different languages and around the world. The book details the complicated reality of multilingual literacy, which is lived at the nexus of prejudice, prestige, and power.

How did the brewing of beer become a scientific process? James Sumner explores this question by charting the theory and practice of the trade in Britain and Ireland during the eighteenth and nineteenth centuries.

This is a collection of conversations with more than thirty Latina/o authors of literature for young people. Aldama provides an introduction and serves as the interviewer for each author. The conversations revolve around the idea of Latina/o identity and what that means for authors of books for children and young adults. They also talk extensively about their experiences within the publishing industry and about their audiences. There is not a lot of scholarship in the volume, but it allows Latina/o writers of children’s and young adult literature to speak for themselves.

An innovative and original socio-cultural study of the history of electricity during the late Victorian and Edward periods.

In 1963, nineteen Americans embarked on the first expedition that would combine high-altitude climbing with scientific research. The primary objective was to study how severe stress at high altitudes affected human behavior. The expedition promised to resurrect American heroism, in a show of physical strength and skill that, when combined with scientific expertise, would dominate international rivals on the frontiers of territorial exploration. They faced hostile conditions that challenged and ultimately compromised standard research protocols, yielding results that were too exceptional to be generalized to other environments. Clements offers an exploration of the impact of extremity on the production of scientific knowledge and the role of masculinity and nationalism in scientific inquiry.

Lake Michigan, a series of 19 lyric poems, imagines a prison camp located on the beaches of a Chicago that is privatized, racially segregated, and overrun by a brutal police force.

Waters explores the confluences of the sensual and the spiritual, and renders their mysteries with precision and clarity. The title evokes the rigorous consciousness that prods the artist to deepen into his craft. Line by line, Waters delivers the passionate eloquence and intensity that distinguish his poems.

Strategic Frames analyzes minority policies in Estonia and Latvia following their independence from the Soviet Union. It weighs the powerful influence of both Europe and Russia on their policy choices, and how this intersected with the costs and benefits of policy changes for the politicians in each state.

In the Victorian era, James Watt became an iconic engineer, but in his own time he was also an influential chemist. David Philip Miller examines Watt’s illustrious engineering career in light of his parallel interest in chemistry, arguing that Watt’s conception of steam engineering relied upon chemical understandings.

Travel has always been Barbara Hamby’s muse, and in Bird Odyssey she hits the road hard, riding a train across Siberia, taking a car trip from Memphis to New Orleans on Highway 61, and following The Odyssey from Troy to Ithaka.

George Bilgere continues his exploration of the joys and absurdities of being middle-aged and middle-class in the Midwest. OK, maybe he’s a bit beyond middle-aged at this point, and his rueful awareness of this makes these poems even more darkly hilarious, more deeply aware of the feckless and baffling times our nation has stumbled into. Blood Pages is a guidebook to the fears, foibles, and beauties of our lovely old country as it makes its blundering, tentative way into the new century.

The Wall is a poetic exploration—across time, space, and language, real as well as metaphorical—of the U.S.-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw, etc.) in history, and of the act of separating people by ideology, class, race, and other subterfuges. It is an indictment of hateful political rhetoric. In the spirit of Virgil’s Aeneid and Spoon River Anthology by Edgar Lee Master, it gives voice in symphonic fashion to an assortment of participants (immigrants, border patrol, soldiers, activists, presidents, people dead and alive) involved in the debate on walls. It brings in elements of literature and pop culture, fashion and cuisine. Poetry becomes a tool to explore raw human emotions in all its extremes.

The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

Winner of the British Society for Literature and Science Annual Prize, 2011Winner of the Cultural Studies in English Prize, 2012

This book explores the role of vision and the culture of observation in Victorian and modernist ways of seeing. Willis charts the characterization of vision through four organizing principles—small, large, past and future—to survey Victorian conceptions of what vision was. He then explores how this Victorian vision influenced twentieth-century ways of seeing, when anxieties over visual “truth” became entwined with modernist rejections of objectivity.